Cornell University, solo exhibition of recent works. Oct-Nov 2017
In At the Old Headquarters, a cast plaster miniature of an office building sinks into roofing tar. Markings on the building are reminiscent of pixacao, Brazlian graffitti often found on multi story squat buildings. A roof mounted monitor shows a distorted and duplicated looping image of a parking lot.
Between the Resorts depicts a no mans land between a simulated ski slope and a simulated water park. Embedded video shows images of sand blowing across pavement.
Cast glass sculptures of broken glass and dishware.
Wall mounted shadow box depicting a fantasy landscape incorporating aspects of the San Francisco Bay area, the Dominion board game, and the Oracle headquarters circa 2014. Contains an oil on canvas background, color photography, video screen, and electronics.
Wall mounted shadow box depicting a fantasy landscape incorporating aspects of the San Jose area's Adobe headquarters circa 2014. Contains an oil on canvas background, color photography, video screen, and electronics.
Wall mounted shadow box depicting a fantasy landscape incorporating aspects of the San Francisco Bay area, the Forbidden Island board game, and the Paypal/Ebay headquarters circa 2014. Contains an oil on canvas background, color photography and electronics.
Overlapping images of Silicon Valley's natural environment, its industry, and the architecture of its suburban technology headquarter buildings. 9:50
A collaged landscape of images from DeSmet, SD, this video is a winter portrait of the site of the famous Laura Ingalls Wilder "Little House on the Prarie". In this work the stark landscape of Wilder's youth is juxtaposed with the architecture of the rural industrial present in the town near the homestead site. The McCoys were first drawn to the site during a summer cross country driving trip which began their research into America’s “frontier” ideology. Research into the site revealed that the Ingalls family was granted the homestead land by the United States government. The conditions were harsh and the family moved after a short time. Later, Wilder and her daughter Rose Wilder Lane co-wrote the famous books, based on the family’s time at the homestead. A journalist and pundit of her time, Wilder’s daughter coined the term “libertarian” (along with the more famous Ayn Rand). Excerpt below
Based on existing architectural schemes for Belle Isle, an island in the river next to Detroit, this sculpture envisions the skyline of a free market, off shore property development. The video depicts abstracted images of drag racing in the streets of Detroit.
In Behind the Hillside, miniature garbage covers the ostensible back side of a hill. The front of the hill is absent, posited to be the desirable site. Amongst the garbage, a small video monitor plays an interrupted image of wild grasslands.
Series of printed, sandstone sculptures fusing an extruded image of the Silicon Valley headquarters (Google, Nvidia, Intel) with the architecture of middle class Joseph Eichler subdivision home.
Wall mounted shadow box depicting a fantasy landscape incorporating aspects of the San Francisco Bay area, Lord of the Rings, and the Twitter headquarters circa 2014. Contains an oil on canvas background, color photography, video screen, and electronics.
Shot on the seventy-seventh floor apartment of one of New York City’s many Trump Towers, BROKER is a meticulous portrayal of a high end real estate broker, seen here as the physical embodiment of the constantly accelerating pitch of luxury merchandising. The film uses the architecture of the apartment to create an echo chamber of life style messages - messages which present an increasingly homogeneous (yet bespoke) utopian world for those with the means to buy it. With songs by Lori Scacco, this "filmed musical" magnifies the logic of marketing, the surfaces of luxury, and the sound of electronic speech, creating a sound and image world just on the edge of plausible. Broker- Gillian Chadsey Music and sound- Lori Scacco Editor- Caren McCaleb Camera- Eric Lin Assistant camera-Marcos Herrera Gaffer-Jason Beasley Sound recording- Paddy Hanlon Art Direction- Quinlan Maggio Color- Stewart Griffin Paintings-Geoffrey Chadsey and Angela Dufresne Surveillance camera-Charles Caster-Dudzick Choreography consultant- Andre Zachary Casting-Madeline Barasch Drivers-Michael Gillespie and Emily Roz Research- Rebecca Roff and Jessica Hargreaves