In this installation, a red suitcase contains hardware and software that algorithmically reenact a scene from Lawrence Kasdan's 1981 film Body Heat. The McCoys film actors playing the parts of William Hurt and Kathleen Turner in a pivotal erotic moment of the film. The scene is then broken into short clips and digitized so that the actors images become manipulable as individual frames. Custom computer software selects these clips according to ever-changing patterns, creating a continuous live remix, projected at cinematic scale.
This work is based on the climatic chase sequence from Evil Dead II. The artists re-enact the scene on a specially designed stage set. Each shot in the sequence is individually digitized. Custom computer software selects these clips at random, playing them back in a seamless but continuously variable way, changing the speed and direction of play. The images are projected at cinematic scale and the computer hardware is installed in a black briefcase, which forms part of the installation.
The source material for this work is a collection of one hundred episodes of the Looney Tunes television program. Each episode is broken down into a series of individual shots which were then grouped together into categories. The categories include each instance of violence or physical extremity (such as every fall, every explosion, and every anvil). The suitcase sculpture contains 120 categories of data.
The source material for this work is a collection of 10,000 shots from Starsky & Hutch. Each episode is broken down into a series of individual shots. The artists have assigned key words to each shot: every plaid, every sexy outfit, every yellow Volkswagen, etc. There are 278 categories in total. Each category is archived on an individual video CD which is labelled in clear, bold lettering and installed in the gallery on a shelf. Video CDs are chosen by the gallery visitor and played via the built-in video screen.