The momentum of the dot-com era infused media art with a heady energy, artists, many switching from analog to digital equipment, tried their hands at a range of newly invented art forms. They built interactive installations, electronic publishing networks, and art for the Internet. Technology evolved so fast that in some cases an art form may have disappeared while an artist’s work was still in the making. By the year 2000, this quasi-revolutionary aura had dissipated and media art had settled into the mainstream. Automatic Update features several installations from this later period. They are mature works that ease the somber mood of the times with entertaining presentations. Nevertheless, their humor does not soften their biting commentary on our social milieu. What at one time was Pop art has now become pop life. The exhibition is organized by Barbara London, Associate Curator, Department of Media.
This tabletop miniature kinetic sculpture collapses two linked narratives. In Our Second Date, one narrative is a small-scale recreation of a scene from the film Week End by Jean Luc Godard, with its majestic travelling shot reduced here to an infinitely spinning disc. The other is a tableau portraying the artists themselves in the act of watching the film on a Parisian small- screen cineama: a live video feed of the cinematic recreation on the table next to them appears on their screen. In the gallery space, a projected video sequence cuts between images of the artists in their miniature seats and images of the film scene they are watching.