projects

Four videos collaging extreme camera views of a forrest with film footage from the 1990s.

In the Machine Organic series Jennifer and Kevin McCoy explore how the complexity of the natural world is translated through digital systems. Machine Organic is first shaped by data from cameras and sensors, then processed with computer vision and signal processing algorithms. Rather than positioning nature and technology as opposing forces, the work considers how organic processes find parallels in computational structures. The relationship between the physical world and its digital representation becomes a space of interpretation, where observation gives way to simulation.

“Public View / Private View” opens up the artistic process of creation to a group of donors and art supporters connected to them and makes participants in the “art ecosystem” a formal part of the art.

The Inside World is an experimental narrative created at the nexus of comics, storytelling, and digitalart.

This set of drawings was made tracing an image route from the Lincoln Tunnel to Lincoln, NE.

This generative NFT evolves from a three-sided shape to up to twenty sides over a three year period.

A commissioned from 601Artspace where paper is used to depict the reflections in the storefront from across the street.

Jennifer and Kevin McCoy's Public Key / Private Key explores museums' ownership of art and the role of donors in building museum collections.

A film work of cinematic scale, Cleaner traces the creative awakening of a maintenance worker.

made in conjunction with the exhibition "Cleaner" at Postmasters Gallery 2018

An installation for SpringBreak Immersive in which a gigantic conference table slopes up to a video where the "broker" sings about marketing.

Cast glass sculptures of broken glass and dishware.