miniatures
Big Box 1 and Big Box 2
(2007)
In the two Big Box sculptures, models of an American-style big box shopping mall are placed on a slowly rotating turntable.
Soft Rains #6 (suburban horror)
2003
In this double platform video installation, Suburban Horror creates projected images inspired by David Lynch's film Blue Velvet and by John Carpenter's Friday the 13th to create a tale of forbidden love and resulting horror.
At The Old Headquarters
In At the Old Headquarters, a cast plaster miniature of an office building sinks into roofing tar. Markings on the building are reminiscent of pixacao, Brazlian graffitti often found on multi story squat buildings. A roof mounted monitor shows a distorted and duplicated looping image of a parking lot.
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Priest of the Temple
(2012)
In Priest of the Temple, an office building juts out of a Mt. Rushmore-style mountain. The embedded video is based on the actions of a Silicon Valley hotel spa. Behind the building, a portrait of Intel co-founder Gordon Moore looms like a Pyongyang mural.
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Traffic #1: Our Second Date
(2004)
This tabletop miniature kinetic sculpture collapses two linked narratives. In Our Second Date, one narrative is a small-scale recreation of a scene from the film Week End by Jean Luc Godard, with its majestic travelling shot reduced here to an infinitely spinning disc.
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Our First Date
(2005)
Wall mounted sculpture with four platforms. Our First Date draws on biographical material, rendering the artists in miniature as they visit a Conceptual Art exhibition in Paris in 1990. The tableau includes representations of works by artists On Kawara, Joseph Kosuth, Art and Language, Hans Haacke and others.
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Special Things
(2006)
Special Things presents images of a utopian childhood complete with cavorting lambs and chiffon rainbows. These are rendered in fragments across sixteen small hanging sculptures. Each consists of a miniature scene, a small video camera, and a mirrored word emblazoned across the front of the sculpture. On a nearby screen, images of the sixteen scenes and their related captions are rapidly inter-cut by video sequencing software in an ever-changing pattern created by a computer algorithm.
